A small selection of social media content to promote film and TV.
BLACK MIRROR: SEASON 4
CLIENT : NETFLIX
AGENCY : Substance Global
PROJECT : Black Mirror - The Futures Bright.
ROLE : Art Direction / Motion Design / Video Editing
To coincide with the launch of the new season of Black Mirror on Netflix we created a series of "hacks" for various social media platforms. These were targeted posts and aired 24hrs before Black Mirror went live. To complement the subversive nature of Black Mirror we hacked mainstream social media channels with sneak peaks of the new series while others were hacking cute viral videos of cats etc… Netflix was even happy for us to hack some of their own shows for youTube pre-rolls.
We created all the social media adverts for the series, mixing clips from the show and creating bespoke dystopian imagery. We also created a series of HTML5 banners to flood the internet for pre-launch and launch.
CLIENT : 20th CENTURY FOX
FOX HOME ENTERTAINMENT/
FOX INTERNATIONAL
FOX HOME ENTERTAINMENT/
FOX INTERNATIONAL
AGENCY : Substance Global
PROJECT : Various film titles
ROLE : Art Direction / Motion Design / Video Editing / Sound Design / 3D
A small selection of promotional film advertising work for social media I have made over the years for Fox Home Entertainment and 20th Century Fox. I was freelancing at Substance Global at this time, but was given artistic licence to push boundaries and had a great deal of freedom to experiment and often created 'industry first' content for emerging social platforms. Creating the first embedded text trailers for Fox Home Entertainment and Fox International, who loved it. It wasn't long before everyone was doing it.
Always a fast turn around so time management was crucial. Storyboards had to be developed with multiple executions in mind and any software that was used had to be available in the studio.
ASSASSIN'S CREED (2016)
STAR TREK BEYOND (2016)
MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN (2016)
BOHEMIAN RHAPSODY (2018)
It's great to work for a client that doesn't take itself too seriously. The Horror Channel came to us (Substance) to pitch for their social media account. If I can remember correctly they wanted "Fast, Fun and Filthy", the more oddball the better. I loved this brief. I was given 10 films from their catalog to chose from and cut and diced as I chose fit. We won the pitch and went on to create not only social content, but also content for their channel.
CLIENT : THE HORROR CHANNEL
AGENCY : Substance Global
PROJECT : Various film titles
ROLE : Art Direction / Motion Design / Video Editing / Sound Design